animal sculpture-plaster, acrylic paint
sculpture & oil painting EMILY VAUGHAN BROWN richmond, virginia
On paper, hung to dry
Detail of lantern drawing, glitter, oil crayon, crayon, graphite, charcoal, shellac, acrylic paint, spray paint, etc
Wood composition, wood and glue
"Cod" Paint can cap, tracing paper, ink
"Good Bag" Plastic, cardboard, acrylic house paint, paper
"Fez" Graphite print
"Wait for Love, Forever,"
acrylic paint, house paint, plywood
acrylic paint, house paint, plywood
"James, at Night" black wood stain, white oil pastel
Gloves, seed pods, printing ink
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| Cardboard package, black acrylic, tacks, found wood |
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| Styrofoam, thread, expo marker |
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| Old Store, oil on canvas |
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| Kona Blue, acrylic on burlap |
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| Good Hour, acrylic on burlap |
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| Self-portrait and portrait of Andy from memory, charcoal on paper, refurbished found frame |
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| Green Tomato Seller (5¢) oil paint and crayon, black ink, pencil, on board |
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| Shadow Hounds, oil paint and oil crayon on board |
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| 27th Street (Lighted Doorway with Flag) oil paint on canvas |
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| Gift, oil on canvas |
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| Courtyard Inn During Lightning Storm, oil on canvas |
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| Sky and Mud, oil on canvas |
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| Storm, newpaper, brown paper, wheatpaste, house paint, ink, expo marker, oil crayon |
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| Lost D-Lite, oil paint on glass |
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| Dancers Stretching, clay and glass |
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| Day and Night, or Consolation, sketch from Rodin, graphite, tea, arches paper |
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| Ladies, ink on cardboard |
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| styrofoam pallet from Mud and Sky |
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| Church Hill Flag, oil paint and pastel on canvas 3.9'x2.95' |
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| The Hilltop, plaster, cardboard, paper, wheatpaste, red solo cup, ceramic, spraypaint, dried plants, sticks, steel wire. Side 1 |
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| Side 2, plants, styrofoam cut-outs, sticks, plaster, spraypaint |
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| Side 1, with face, windows, plant and window cut-outs |
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| Yard Artifact, plaster, found paint tubes/brick/iron/rubber balls/insole, box, satin |
A Decade of Cartoons
In high school, I was very inspired by James Kolchalka's daily cartoon practice, four colorful, acrylic squares that somehow sum up his life each day. After reading American Elf, I began my own series, depicting hilarity, embarrassments, excitements, and mundanity, always aware that transcending these years would form me into some kind of uniquely odd artist and adult. SECONDS is name of the cartoon based on my current daily life that I revisit whenever I am at my house in DC. I'm a little older and more mature in it, and have lost the bunny ears of Daily Cartoon.
I'm also doing cartoons about Mugsy, the beloved (I guess, if she has to be), incredibly bitter 8-year old.
In high school, I was very inspired by James Kolchalka's daily cartoon practice, four colorful, acrylic squares that somehow sum up his life each day. After reading American Elf, I began my own series, depicting hilarity, embarrassments, excitements, and mundanity, always aware that transcending these years would form me into some kind of uniquely odd artist and adult. SECONDS is name of the cartoon based on my current daily life that I revisit whenever I am at my house in DC. I'm a little older and more mature in it, and have lost the bunny ears of Daily Cartoon.
I'm also doing cartoons about Mugsy, the beloved (I guess, if she has to be), incredibly bitter 8-year old.
These are just a few from over the years:
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| First Page of "Seconds" |
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| Excerpt from "Seconds" |
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| Daily Cartoon Series |
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| Excerpt from "SECONDS" |
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| "Tequila Cat" ink, 2013, xeroxes, charcoal, paper on canvas |
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| "Last Dog of the Day" 2010, expo marker on wood |
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